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  • #311702

    @minim wrote:

    There are holes in the sky
    where the rain gets in.
    But the holes are small –
    that’s why rain is thin.

    Spike :)

    sorry to keep lowering the tone but some things just make me smile

    Its not lowering it atall :lol: poetry is fun, its all things for all people 8)

    #311703

    deleted

    #311704

    Alfred Noyes (1880-1958)
    The Highwayman

    PART ONE

    I

    THE wind was a torrent of darkness among the gusty trees,
    The moon was a ghostly galleon tossed upon cloudy seas,
    The road was a ribbon of moonlight over the purple moor,
    And the highwayman came riding—
    Riding—riding—
    The highwayman came riding, up to the old inn-door.

    II

    He’d a French cocked-hat on his forehead, a bunch of lace at his chin,
    A coat of the claret velvet, and breeches of brown doe-skin;
    They fitted with never a wrinkle: his boots were up to the thigh!
    And he rode with a jewelled twinkle,
    His pistol butts a-twinkle,
    His rapier hilt a-twinkle, under the jewelled sky.

    III

    Over the cobbles he clattered and clashed in the dark inn-yard,
    And he tapped with his whip on the shutters, but all was locked and barred;
    He whistled a tune to the window, and who should be waiting there
    But the landlord’s black-eyed daughter,
    Bess, the landlord’s daughter,
    Plaiting a dark red love-knot into her long black hair.

    IV

    And dark in the dark old inn-yard a stable-wicket creaked
    Where Tim the ostler listened; his face was white and peaked;
    His eyes were hollows of madness, his hair like mouldy hay,
    But he loved the landlord’s daughter,
    The landlord’s red-lipped daughter,
    Dumb as a dog he listened, and he heard the robber say—

    V

    “One kiss, my bonny sweetheart, I’m after a prize to-night,
    But I shall be back with the yellow gold before the morning light;
    Yet, if they press me sharply, and harry me through the day,
    Then look for me by moonlight,
    Watch for me by moonlight,
    I’ll come to thee by moonlight, though hell should bar the way.”

    VI

    He rose upright in the stirrups; he scarce could reach her hand,
    But she loosened her hair i’ the casement! His face burnt like a brand
    As the black cascade of perfume came tumbling over his breast;
    And he kissed its waves in the moonlight,
    (Oh, sweet, black waves in the moonlight!)
    Then he tugged at his rein in the moonliglt, and galloped away to the West.

    PART TWO

    I

    He did not come in the dawning; he did not come at noon;
    And out o’ the tawny sunset, before the rise o’ the moon,
    When the road was a gypsy’s ribbon, looping the purple moor,
    A red-coat troop came marching—
    Marching—marching—
    King George’s men came matching, up to the old inn-door.

    II

    They said no word to the landlord, they drank his ale instead,
    But they gagged his daughter and bound her to the foot of her narrow bed;
    Two of them knelt at her casement, with muskets at their side!
    There was death at every window;
    And hell at one dark window;
    For Bess could see, through her casement, the road that he would ride.

    III

    They had tied her up to attention, with many a sniggering jest;
    They had bound a musket beside her, with the barrel beneath her breast!
    “Now, keep good watch!” and they kissed her.
    She heard the dead man say—
    Look for me by moonlight;
    Watch for me by moonlight;
    I’ll come to thee by moonlight, though hell should bar the way!

    IV

    She twisted her hands behind her; but all the knots held good!
    She writhed her hands till her fingers were wet with sweat or blood!
    They stretched and strained in the darkness, and the hours crawled by like years,
    Till, now, on the stroke of midnight,
    Cold, on the stroke of midnight,
    The tip of one finger touched it! The trigger at least was hers!

    V

    The tip of one finger touched it; she strove no more for the rest!
    Up, she stood up to attention, with the barrel beneath her breast,
    She would not risk their hearing; she would not strive again;
    For the road lay bare in the moonlight;
    Blank and bare in the moonlight;
    And the blood of her veins in the moonlight throbbed to her love’s refrain .

    VI

    Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
    Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
    Down the ribbon of moonlight, over the brow of the hill,
    The highwayman came riding,
    Riding, riding!
    The red-coats looked to their priming! She stood up, straight and still!

    VII

    Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
    Nearer he came and nearer! Her face was like a light!
    Her eyes grew wide for a moment; she drew one last deep breath,
    Then her finger moved in the moonlight,
    Her musket shattered the moonlight,
    Shattered her breast in the moonlight and warned him—with her death.

    VIII

    He turned; he spurred to the West; he did not know who stood
    Bowed, with her head o’er the musket, drenched with her own red blood!
    Not till the dawn he heard it, his face grew grey to hear
    How Bess, the landlord’s daughter,
    The landlord’s black-eyed daughter,
    Had watched for her love in the moonlight, and died in the darkness there.

    IX

    Back, he spurred like a madman, shrieking a curse to the sky,
    With the white road smoking behind him and his rapier brandished high!
    Blood-red were his spurs i’ the golden noon; wine-red was his velvet coat,
    When they shot him down on the highway,
    Down like a dog on the highway,
    And he lay in his blood on the highway, with the bunch of lace at his throat.

    * * * * * *

    X

    And still of a winter’s night, they say, when the wind is in the trees,
    When the moon is a ghostly galleon tossed upon cloudy seas,
    When the road is a ribbon of moonlight over the purple moor,
    A highwayman comes riding—
    Riding—riding—
    A highwayman comes riding, up to the old inn-door.

    XI

    Over the cobbles he clatters and clangs in the dark inn-yard;
    He taps with his whip on the shutters, but all is locked and barred;
    He whistles a tune to the window, and who should be waiting there
    But the landlord’s black-eyed daughter,
    Bess, the landlord’s daughter,
    Plaiting a dark red love-knot into her long black hair.

    #311705

    Excellent Cath!
    Some really great stuff being posted here ppl.. keep it up :) .

    I’m in total agreement with mims on the importance of a lyrical quality to poetry – curiously enough, a vast percentage of the works posted on this thread to date bear witness to it.

    Oh and grateful appreciation for the wonderful Ted Hughes poem posted by Esmeralda
    :) ..

    #311706

    Thanks for the thanks, Sgt. I have been an admirer of Ted Hughes since schooldays, and looking past the emotional psychobabble of the Plath connection and accusations of Hughes’ culpability, his is a body of work like no other, encapsulating the earthy and ethereal at one and the same. He makes the blood pop and bubble in my veins. I taste the soil in my mouth and always, the crow’s sharp talons, at my skin.

    Examination at the Womb-Door

    Who owns those scrawny little feet? Death.
    Who owns this bristly scorched-looking face? Death.
    Who owns these still-working lungs? Death.
    Who owns this utility coat of muscles? Death.
    Who owns these unspeakable guts? Death.
    Who owns these questionable brains? Death.
    All this messy blood? Death.
    These minimum-efficiency eyes? Death.
    This wicked little tongue? Death.
    This occasional wakefulness? Death.

    Given, stolen, or held pending trial?
    Held.

    Who owns the whole rainy, stony earth? Death.
    Who owns all of space? Death.

    Who is stronger than hope? Death.
    Who is stronger than the will? Death.
    Stronger than love? Death.
    Stronger than life? Death.

    But who is stronger than Death?
    Me, evidently.
    Pass, Crow.

    Ted Hughes

    #311707

    Yep.. a fellow fan here Esmeralda. My personal fave collection of his – 1998’s Birthday Letters– is truly astonishing. Granted, the whole Plath connection is nowhere more palpable than in this work, but it is remarkable. Hughes passed away mere months after it’s publication, so the sense of emotional exoneration.. the secrets of a poetic confessional spanning three decades, added to the huge impact it’s release made on the literary world.

    Stay tuned y’all for some posts from Birthday Letters :)

    ps I’d be interested to hear your thoughts on the movie Sylvia with Gywneth Paltrow as the tragi-poetess and a certain Mr Craig as the Tedmeister?
    A quasi review Here btw courtesy of Empire.

    #311708

    Hmm, I have not- deliberately have not – seen the film SYLVIA as my preconceptions deem it wrong on many counts. Firstly, since forced to write a thesis (many moons ago) on the impact of mental illness on the poetry of Sylvia Plath and Robert Lowell, and discovering that I went against the flow of female empathy for Plath whose tendency to self-pity and paranoia inflamed me, I would now rather spend time in a bell jar. Secondly and thirdly and a thousand times over – Daniel Craig as Ted Hughes – no- not ever – no! Paltrow as Plath, scarcely more palatable.
    Call me prejudiced, call me unyielding, but I like what I like and I’m a Ted not a Sylvia girl.
    Well..ya did ask!
    Now beat me gizzards with an egg whisk!
    :wink:

    #311709

    Mamie Gene Cole from the book “Child’s Appeal”

    I am a child,
    All the world waits for my coming
    All the earth watches with interest
    To see what I shall become.
    The future hangs in the balance,
    For what I am
    The world of tomorrow will be.

    I am a child,
    I have come into your world
    about which I know nothing.
    Why I came I know not.
    How I came I know not.
    I am curious
    I am interested.

    I am a child,
    You hold in your hand my destiny.
    You determine, largely,
    whether I shall succeed or fail.
    Give me, I pray you,
    Those things that make for happiness.
    Train me, I beg you,
    That I may be a blessing to the world.

    #311710

    I just thought this was a really nice poem

    The Meaning

    To love is to share life together
    to build special plans just for two
    to work side by side
    and then smile with pride
    as one by one, dreams all come true.

    To love is to help and encourage
    with smiles and sincere words of praise
    to take time to share
    to listen and care
    in tender, affectionate ways.

    To love is to have someone special
    one who you can always depend
    to be there through the years
    sharing laughter and tears
    as a partner, a lover, a friend.

    To love is to make special memories
    of moments you love to recall
    of all the good things
    that sharing life brings
    love is the greatest of all.

    I’ve learned the full meaning
    of sharing and caring
    and having my dreams all come true;
    I’ve learned the full meaning
    of being in love
    by being and loving with you.

    – Kellie Spehn –

    #311711

    @esmeralda wrote:

    Hmm, I have not- deliberately have not – seen the film SYLVIA as my preconceptions deem it wrong on many counts. Firstly, since forced to write a thesis (many moons ago) on the impact of mental illness on the poetry of Sylvia Plath and Robert Lowell, and discovering that I went against the flow of female empathy for Plath whose tendency to self-pity and paranoia inflamed me, I would now rather spend time in a bell jar. Secondly and thirdly and a thousand times over – Daniel Craig as Ted Hughes – no- not ever – no! Paltrow as Plath, scarcely more palatable.
    Call me prejudiced, call me unyielding, but I like what I like and I’m a Ted not a Sylvia girl.
    Well..ya did ask!
    Now beat me gizzards with an egg whisk!
    :wink:

    lol.. not at all! Admirable candour on your part! Although I am tempted to thump your jugs as it were regarding Mr Craig – tis well known in these parts that I’m a huge fan :) . Anyway, I thought the film an okay affair, watchable if a tad dreary.
    With regard to enforced thesis torture, I myself went through a similar scenario to your fine self. Tennyson was my bane :? .. more mouthpiece than poet in my opinion (“Blow bugle blow..” etc ..), I had to scribble away and find something half decent to say about him (Shallot’s eponymous Lady and the Lotus Eaters aside not too much may I add :roll:).

    Oh well..

    :P

Viewing 10 posts - 41 through 50 (of 374 total)

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